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Disney+ lists the 2-hour-14-minute film as available September 2 with an expanded IMAX Enhanced presentation. Disney also launches a two-episode behind-the-scenes podcast at 9 p.m. ET and an animated LEGO retelling of all three Mandalorian seasons today; regional catalog visibility can vary.
Read this story →Electronic Arts announced the August 27 launch through the EA app, Steam and Epic Games Store on PC, plus PlayStation 5 and Xbox Series consoles. Steam independently shows the game released that day; the EA press page was access-limited during writing.
Read this story →LEGO announced on August 26 that set 75457 measures 136 centimetres long, making it the longest brick-built LEGO Star Wars model, and includes a stand, scale Star Destroyer, tiny Millennium Falcon and seven minifigures. It launches through LEGO stores and LEGO.com on October 1 for US$799.99, €749.99 or £649.99.
Read this story →Lucasfilm announced on December 5, 2025, that a newly restored version of the classic 1977 theatrical release will return to cinemas worldwide for a limited time beginning February 19, 2027. Participating theaters, ticket-sale dates, the length of the run and the restoration’s exact presentation have not yet been detailed.
Read this story →Lucasfilm published the Ahsoka season 2 D23 teaser on August 15, giving viewers outside the convention direct access to footage of Anakin challenging Ahsoka and Thrawn rallying an Imperial remnant. The official page confirms the previously reported January 20, 2027 Disney+ premiere but not a full episode schedule.
Read this story →Lucasfilm’s August 15 D23 article identifies Ryan Gosling’s character as Kade Auberon, a man whose fate is tied to the fastest starfighter ever built. The official premise sends a cynical rogue confronted by his past across the galaxy, while Levy says the unseen period draws partly on American car culture; the complete plot and room-exclusive footage remain unavailable.
Read this story →In an August 13 report quoting The Town podcast, IMAX CEO Rich Gelfond said he had visited the set and described the film as a throwback to the Harrison Ford kind of Star Wars. This confirms Gelfond’s attributed observation and enthusiasm, not the film’s final tone or quality.
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